RIVERHOUSE
VANSTRAATEN
RIVERHOUSE EDITIONS
VAN STRAATEN GALLERY
PO Box 774607
2760 Acre Lane, Steamboat Springs, CO 80487
PHONE/FAX (970) 871-1559
info@RiverhousevanStraaten.com
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| Selected Biography |
| Born |
1964
Lives and works in New York City
Teaches at Columbia University |
| Education |
| 1997 |
Hunter College, New York, NY , M.F.A. |
| 1990 |
New York Studio School, New York, NY |
| 1986 |
Harvard College, Cambridge, MA., B.A. |
| Solo Exhibitions |
| 2008 |
“Overdrive,” Postmasters Gallery, New York, NY |
| 2007 |
Beyond the Line: The Art of Diana Cooper, Museum of Contemporary Art Cleveland, OH, curated by Margo Crutchfield |
| 2006 |
“Diana Cooper,” Postmasters Gallery, New York, NY |
| 2005 |
“Swarm,” Postmasters Gallery, New York
“Mechanical Cloud”, Numark Gallery, Washington, DC
“My Eye Travels,” Carl Berg Gallery, Los Angeles, CA
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| 2004 |
The Drawing Room (with Hew Locke), London
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| 2003 |
Galerie Staub (g*fzk!), Zurich
Centre for Drawing, Wimbledon School of Art, London |
| 2002 |
"Hidden Tracks Sabotage the Random," Postmasters Gallery, New York, NY |
| 2001 |
“Diana Cooper,” The Bradford-Renick Gallery, Virginia Commonwealth
University, Richmond, VA, curated by Jean Crutchfield |
| 2000 |
“Diana Cooper,” Hales Gallery, London Galerie Evelyne Canus, Paris |
| 1999 |
"The Best Part of the Song and It's Too Short," Postmasters Gallery New
York, NY |
| 1998 |
“Diana Cooper,” Postmasters Gallery, New York, NY |
| 1997 |
“Diana Cooper,” Yearsley Spring Gallery, Philadelphia, PA
“Diana Cooper,” Ah! space Gallery, New York, NY |
| Selected Group Exhibitions |
| 2009 |
“Baroque Reason,” Keith Talent Gallery, London, UK
“Sight Mapping,” Herter Gallery, University of Massachusetts Amherst, MA |
| 2008 |
“Color in 3D: Found Applied & Readymade,”Westport Arts Center,
Westport, CT. Curated by Saul Ostro “Capricious and Mercurial Systems,” A + D Gallery, Columbia College,Chicago, IL |
| 2007 |
“Holiday Reading,” Number 35, New York, NY. Curated by Ron Keyson |
| 2006-07 |
“Burgeoning Geometries: Constructed Abstractions,” The Whitney Museum at Altria, New York, NY. Curated by Apsara di Quinzio |
| 2006 |
“Speed,” Galerie Staubkohler, Zurich
“Process & Promise: 75 Years of Art,” 92nd Street Y, New York, NY. Curated by Amei Wallach
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| 2005 |
“Off the Wall,” curated by Tracy Adler, The Leubsdorf Art Gallery at
Hunter College, New York “I am 5,” Parker Box, Brooklyn, NY
“Hew Locke and Diana Cooper”, Chapter, Cardiff, UK, May-July
“Plan D”, Viscondes de Balsemao, Porto. Rubicon Gallery, Dublin.
Modelniland, Sligo “Ebb and Flow”, Three Colts Gallery, London
“The Continuous Mark”, The New York Studio School, NY. Curated by David Cohen |
Projects/Awards |
| 2007-08 |
Public Art Commission. New York City Department of Cultural Affairs
Percent for Art Program, the New York City Department of Cultural Affairs and Polshek PartnershipArchitects |
| 2004-05 |
The Marie Walsh Sharpe Foundation Space Program, NY |
| 2003-04 |
The Rome Prize, American Academy in Rome |
| 2003 |
Artist-in-Resident, Centre for Drawing, Wimbledon School of Art, London |
| 2000 |
John Simon Guggenheim Memorial Fellowship
Artist's Fellowship in Painting, New York Foundation for the Arts |
Collections |
| 2007 |
Beyond the Line: The Art of Diana Cooper. Text by Margo Crutchfield
and Barbara Pollock, MOCA Cleveland
The Progressive Collection, Text by Dan Cameron and Tony Morrison.
Peter B. Lewis and Toby Devan Lewis.
DAP/ Distrbuted Art Publishers Inc. |
| 2006 |
The Drawing Book. Text by Kate Macfarlane and Katherine Stout. Black
Dog Publishers UK. (find same version of 2005 Off the Wall. Text by
Tracy Adler, The Leubsdorf Art Gallery at Hunter College, NY |
| 2004 |
Global World/Private Universe. Text by Konrad Bitterli and Oliver
Kielmayer. Kunstmuseum St. Gallen.
Following the Line of Cut: Diana Cooper and Hew Locke. Text by Jon Wood.
The Drawing Room. London
VIscondes De Balsemao. Plan D, Praca Carlos Alberto, Portugal.. Text by
Sherman Sam.
Four Rooms: Erwan Ballan, Diana Cooper, Flavio Favelli and Jim
Lambie,Caraglio. Museo Il Filatoio. Italy
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